Tag Archives: authenticating

Common Walter Bosse Fakes – Striped Bell

Posted on June 5, 2019 by Modern Vienna Bronze

The story of this bell has more of a happy ending than some of the other miss-attributions we’ve seen. Thanks to our friends Sal Robinson and Wayne Meadows for finding a copy of an original sales catalog from Richard Rohac’s workshop. We are now able to confirm this bell is made by Richard Rohac! If you are interested in learning about Bosse, Rohac, Hagenauer and more in the context of their corkscrew designs, go pick up their book “AUSTRIAN FIGURAL CORKSCREW DESIGN: AUBÖCK · BOSSE · HAGENAUER · ROHAC” (ISBN 978-0-9689294-1-4).

Check out the original catalog page below!

And there it is, #64 on page 55 of his catalog! These bells are often unmarked and we’re not sure why except that there isn’t a lot of flat surface are to put a mark on and you’d probably only get a partial mark out of it if you tried to stamp it.

A little background about Richard Rohac. He worked at Werkstätte Hagenauer for a period of time, refining his technique. In the 1950s/60s he branched out and started his own company (see the front of his original catalog below). His works are rendered in a more realistic style and are extremely finely cast and finished. He worked in brass in the Modern Viennese Bronze style with acid-etched black patina with polished gold highlights. They are often marked with two R’s (RR) with their backs facing each other. He also used a secondary mark “Made in Austria” stacked and set in a slight oval shape.

Posted in Bosse Blog | Tagged austrian brass, authenticating, authentication, black patina, fake, fish ashtray, vintage, Walter Bosse | Leave a comment

Common Walter Bosse Fakes – Fish Ashtray

Posted on February 5, 2018 by Modern Vienna Bronze

We’re not sure who started the rumor that this big ol’ fish ashtray was by Walter Bosse. This guys is not as much a fake, but is more of an original by another artist working with blackening brass. They are most often found in Europe so we’re thinking they might be from another artist working in Austria around the same time. The style is definitely more realistic and heavily detailed, unlike Bosse’s work (Bosse mostly worked in a simple modernist style, with simple holes or dots for eyes). These fish ashtrays often seem to have a grey or greenish tint to the patina, which was the result of not sealing the patina properly or letting the object sit in the acid bath too long. These fish are never marked.

Don’t let all the listings out there fool you! This is NOT a Bosse. We’ve even seen these listed for $500 on 1stDibs as designed by “Walter Bosse for Hagenauer”. Bosse never worked for Hagenauer, they were competitors! Sellers often want to make the item their selling to seem the most valuable or rare so they’ll attach as many famous names to it as possible. These ashtrays are fairly common and would carry a value of around $40-$60 depending on condition.

Posted in Bosse Blog | Tagged austrian brass, authenticating, authentication, black patina, fake, fish ashtray, vintage, Walter Bosse | Leave a comment

Common Walter Bosse Fakes – England

Posted on February 5, 2018 by Modern Vienna Bronze

Some of the most common Walter Bosse fakes out on the market right now are a collection of items from England. Almost always unmarked, the most common items are giraffes, horses, firehorses, dachshunds, donkeys, cats, gazelles, kangaroo, ducks, geese, and elephants. Sometime in the 1960s–’70s, a company in England started making copies of a few select Bosse models, and even went so far as to try and copyright them. We’ve seen a few marked items, and they are most often hand ashtrays and corkscrews. You can even find a patent number on the bottom of some of the items. After doing a bit of research on one of these patent numbers, we found it was associated with a generic casting company in England in the ’60s. They were most likely making these items on the side to make some extra money.

Is my item an authentic Walter Bosse or a copy from England?
Though some of the items are direct copies of Bosse’s work (like the firehorse, elephant, and donkey) many are not Bosse’s work at all. In the case of the firehorse, the English fakes just have the tips of the mane and tail polished, and not the whole mane or tail. These are also slightly smaller as they were most likely cast from a Bosse casting, not the original master. Similar to the Taxco fakes out there, these items were most likely imagined by an artist working for the casting company in the style of the items taken directly from Bosse. These English castings can be identified by their shiny black painted surface, which chips easily. They were not familiar with Bosse’s patina process, so they used black paint instead.